Reviews
Thank you. We're used to seeing cultural materials as a way of understanding history. Perhaps it's a fixed time for learning history in school. But it's my idea of conservation doing something more interesting to understand cultural material and heritage in a different way. The view of cultural material is not like the right-wing back-to-back view. I think it's a book that speaks for the common man, not the standard of researchers. And that's the new approach to science, which is to see long
Personally, it seems to me that if we want to be interested in conservation sciences of the material, we need to start off with a universal perspective. The interest in cultural material and relics cannot be preserved. But at the same time, we cannot do it perfectly by simply understanding and understanding the nature of the material and the artifacts. For example, when it comes to restoring or understanding cultural material, we must certainly work on a level that does not damage the
How well do we know about cultural heritage? I remember going to Italy before Corona was spread and going to Rome, where I was a cultural heritage wherever I walked. I remember that everything that would make me think of what it would be like to know and see well has been so bad that I've just gone through it with a camera. The best place was to be with the tour guide's description of Vatican City. I felt the same way as I read this book. It's a book that people like me can read with great
Shin Eun-ju: Cultural Heritage Seen Through Science
History books reveal country names, including the corner age, the neolithic period, the bronze age, and the Iron Age. The time division of the time by the name of the country changes from the material of the tool. So, if we look at the modern age by the name of materials, what are we living in? The Later Iron Age? Plastic age? We've adapted to our environment and used the materials we can get from it as tools. Just as we make things out of plastic and use a smartphone with semiconductive technology, we've made tools out of the ancients, which are often found stones, wood and sometimes metal, which is a component of technology. The numerous worries, failures and successes that have been gathered together are put before us in the name of cultural heritage. The numerous cultural heritages we see in museums and ruins, we find amazing value in technology and scale and historical background, but we don't know what the remains are found in the state of the world and how they are treated and then displayed in a close circle. It relates the cultural heritage that we have seen through scientific analysis and research, and it is interesting to note that history can be deeper in our view. And we're going to be able to think about what cultural heritage we'll leave behind in the future. The author, who has performed conservation operations in museums and has fallen into the field of 'cultural reservation science', has solved with a scientific eye on the lives and minds of the human species as much as he would like to get closer to the cultural heritage found in museum exhibitions. So let's all take this book and meet it in museums and ruins.
Korean title: 과학으로 보는 문화유산
Korean author: 신은주
Korean publisher: 초록비책공방
ISBN-13: 9791191266603
Reviews
Thank you. We're used to seeing cultural materials as a way of understanding history. Perhaps it's a fixed time for learning history in school. But it's my idea of conservation doing something more interesting to understand cultural material and heritage in a different way. The view of cultural material is not like the right-wing back-to-back view. I think it's a book that speaks for the common man, not the standard of researchers. And that's the new approach to science, which is to see long
Personally, it seems to me that if we want to be interested in conservation sciences of the material, we need to start off with a universal perspective. The interest in cultural material and relics cannot be preserved. But at the same time, we cannot do it perfectly by simply understanding and understanding the nature of the material and the artifacts. For example, when it comes to restoring or understanding cultural material, we must certainly work on a level that does not damage the
How well do we know about cultural heritage? I remember going to Italy before Corona was spread and going to Rome, where I was a cultural heritage wherever I walked. I remember that everything that would make me think of what it would be like to know and see well has been so bad that I've just gone through it with a camera. The best place was to be with the tour guide's description of Vatican City. I felt the same way as I read this book. It's a book that people like me can read with great
