Lee Seong-ho: Opera Stories Not Taught in School

You knew that Berty was born with the heart of a woman? When people sing "The Song of the Weaver" and listen to them at the same time become embarrassed? Do you think the kids in the choir will get poisoned and do well in Italy? How could he do both the composition and the drama? Why the criticism that debases Puccini? Why did a lot of operas set the scene for Andalusia, Spain? If I follow his guidance, the tenor and classical music commentator, my playlists will soon become abundant! How many of our people have seen more than one opera performance? There is no way to get the exact answer, but you can imagine that there are no many. Compared to popular musicals that are so popular that they produce such phrases as “Petting” and“Ncha Tour,” the bias seems quite common that opera may seem to be a difficult genre. Still, opera is for people who think it's a special and fun art story. The author, who has been on stage as a tenor and who has consistently followed the lines of music comments and performance planning, has lit 18 operas in his own way. The colorful coverage of the Aria narrative, the life of composers and scriptwriters, sometimes accompanied by their own stage experience, introduces the characteristics of the song or offers advice on vocalization.

Korean title: 학교에서 알려주지 않은 오페라 이야기

Korean author: 이성호

Korean publisher: 노천서재

ISBN-13: 9791197765315