Jeon Ji-young: Criticism, Justice, and Tradition

I came to the conclusion that tradition is a sectional institution, and that there is no such thing as the original beauty of tradition. Art criticism is often considered a reflection of a particular work. But the book, which is important in criticism, argues that the setting and line of ratings is not the logic of setting, but also that who wants to set the back, why set the lamp, and the context for it. At the same time, classical critics who regard the evaluation of work as artistic criticism must declare the end, and they argue that criticism should be re-imagined as ‘ act of justice. ’. According to the author, even art can be operated with an ideology to control and govern society, and art cannot return to the bosom of a person when it does not reflect in the name of justice. When art, rather than viewing social oppression and discrimination, falls into dominant eliteism and criticism condones or encourages it, and here is another symbolic representation of control discourse, the name of tradition combines with "The Dowry Art Critic Critches" becomes a scourge of power. The text of the book is divided into three sections. Part 1 begins with a first-rate criticism and an introduction to art, and concludes with a story of cultural democracy and cultural diversity and artistic justice. Part 2 criticizes the art of theft and materialization, along with criticism of it, the greed, the plagiarization of criticism, and the creation of it as a prospector.

Korean title: 비평과 정의, 그리고 전통

Korean author: 전지영

Korean publisher: 북코리아

ISBN-13: 9788963245850