Reviews
This is a novel by Jeanwin of the time of Gil-Wy. This is a novel written in the '80s of China. A novel of two women's lives, a man and a woman who was writing poetry. I was very hard to remember and evaluate my country's 80s, and I had a book about the cultural awkwardness of China's different background and culture, but through the novel "The Age on the Road," I wanted to discover what the author Jeanwin wanted to communicate with his readers. The more I read, the heavier I found out it was
Where our history lives, where we spread our horizons to the layers of time that accumulates, where our own presence shines so as not to forget that we are walking together is the way we are going. We're going to throw deep pain in what we can't describe by words. living in a world where nature and humans coexist, comes to see the moment when we feel we're drowning in each other. It's a way of getting used to the unique charms that each has, and enjoying the experience of being one sometimes.
And it's a great thing to be able to interact with Asian literature, being associated with China and Korea at the same time. Two works, "The Age Above the Road," is the work of a Chinese author, and another one, "Biznis," is called "The Business," by a Korean writer, Park Sin-Sin. I think we can get together on this occasion and share Korean and Chinese novels, and also have the same cultural sentiments as the same Asian nation, but we can expect with our hearts to bring up a unique cultural
"It was a common sight in the time of the traveler. City after city. It was always a pleasure and a pleasure to see a foreign poet, who came from far away, in a town full of fresh country, or out of the way, to join another poet of the land who lived as a medium. This is the romance of the time. Chinese fiction was the first familiar one, but it was interesting to see that in the 1980s, China was a time of a kind of co-existing langis and romances where one could easily encounter a poet full of
The age of down-to-the-head, and also the book of Chinese writers, which is not very familiar to us as Korean writers, makes it read with an unknown curiosity. I want to say that I don't know if the writer is a woman or a man, and then I want you to think about the book that I read and found to be a woman, and I want it to feel like a novel that describes so much of the Chinese landscape and the local stories that are here that it makes me wonder whether the prediction is fiction or truth.
I feel that I am treating myself with pure soul, love, and noble but tender feelings. And instead of the image of a big urban, industrially-sized city, where people and people meet in the dusty corners of the countryside, they love and smell, and the Orots of human love, and find a better life, and there is talk of where it goes. And it's not so much material as it is, but it'll be strong in the minds and hearts of men. China in the 1980s was probably a target of the poets, full of them, and
Even though the wind may be so strong as we are, my heart cannot stop flowing in hot blood and the heat of it has again been repeated in times up the road, driving me to the possession of extreme love. If you can't go and stay or take your wings, how sad it is to see birds flying in the air, even if you can see that they're free. Seeing this, while believing, was as if it were walking along a landmark that was not defined on the truly cross-demanded path of three people who sang their own love
If it is not any literature, or our country, then we must understand the culture of the country first and we can understand it with our hearts. To understand the times on the road, we must understand Chinese culture in the 1980s. If we first understood that this was a time of wandering and the age of well-being of poets, which was a story in China in the 1980s, we would feel the emotions of the characters as they were. The heavenly Messenger, who was a literary major in college, happens to be
The streets of Napol, it was as if a butterfly had been torn away from the scene with a memory that had fallen. I was so caught up in the world when I heard the stories of the characters while I was listening to the twins of a story I had never seen before that I had read it, ’ I could only think it was a very beautiful world. It was a strange Chinese novel and it contained a lot of exotic cultural background, so I would worry a lot about what to do before reading it, but it was a moment of
The first time I saw a book written by a Chinese author, it was very exciting. Especially since this time, I think it's a work that comes with Mr. Park Sin, who is the best-selling writer who wrote his own epic novel, and he's probably a writer who becomes a leading Chinese hit-and-run writer. I thought, "I'm really excited about it.". Mrs. Jeanwin, the leading Chinese female writer, began a direct association with our country from the point that it was wrong to know Chinese writers through
Zhang Yun: The era on the road
Chinese representative author Jeanwin's novel, the great-great-great. The Chinese magazine Szeop’s Design and the work that is based on our literary journal G’aim and Mo'am, which depicts the youth of the 'City Age' as a background in the 1980s. China, which was so rich that it could encounter a young, wandering poet anywhere in the 1980s. The woman who loved the pure spirit of poetry, but who knew its true nature and had to suffer mental collapse, the poet only realized that she did not love poetry, the man who was afraid of its limitations, and who sincerely longed for poetry. The loss that three people experience through poetry, through love is depicted.
Korean title: 길 위의 시대
Korean author: 장윈
Korean publisher: 자음과모음
ISBN-13: 9788957075371
Reviews
This is a novel by Jeanwin of the time of Gil-Wy. This is a novel written in the '80s of China. A novel of two women's lives, a man and a woman who was writing poetry. I was very hard to remember and evaluate my country's 80s, and I had a book about the cultural awkwardness of China's different background and culture, but through the novel "The Age on the Road," I wanted to discover what the author Jeanwin wanted to communicate with his readers. The more I read, the heavier I found out it was
Where our history lives, where we spread our horizons to the layers of time that accumulates, where our own presence shines so as not to forget that we are walking together is the way we are going. We're going to throw deep pain in what we can't describe by words. living in a world where nature and humans coexist, comes to see the moment when we feel we're drowning in each other. It's a way of getting used to the unique charms that each has, and enjoying the experience of being one sometimes.
And it's a great thing to be able to interact with Asian literature, being associated with China and Korea at the same time. Two works, "The Age Above the Road," is the work of a Chinese author, and another one, "Biznis," is called "The Business," by a Korean writer, Park Sin-Sin. I think we can get together on this occasion and share Korean and Chinese novels, and also have the same cultural sentiments as the same Asian nation, but we can expect with our hearts to bring up a unique cultural
"It was a common sight in the time of the traveler. City after city. It was always a pleasure and a pleasure to see a foreign poet, who came from far away, in a town full of fresh country, or out of the way, to join another poet of the land who lived as a medium. This is the romance of the time. Chinese fiction was the first familiar one, but it was interesting to see that in the 1980s, China was a time of a kind of co-existing langis and romances where one could easily encounter a poet full of
The age of down-to-the-head, and also the book of Chinese writers, which is not very familiar to us as Korean writers, makes it read with an unknown curiosity. I want to say that I don't know if the writer is a woman or a man, and then I want you to think about the book that I read and found to be a woman, and I want it to feel like a novel that describes so much of the Chinese landscape and the local stories that are here that it makes me wonder whether the prediction is fiction or truth.
I feel that I am treating myself with pure soul, love, and noble but tender feelings. And instead of the image of a big urban, industrially-sized city, where people and people meet in the dusty corners of the countryside, they love and smell, and the Orots of human love, and find a better life, and there is talk of where it goes. And it's not so much material as it is, but it'll be strong in the minds and hearts of men. China in the 1980s was probably a target of the poets, full of them, and
Even though the wind may be so strong as we are, my heart cannot stop flowing in hot blood and the heat of it has again been repeated in times up the road, driving me to the possession of extreme love. If you can't go and stay or take your wings, how sad it is to see birds flying in the air, even if you can see that they're free. Seeing this, while believing, was as if it were walking along a landmark that was not defined on the truly cross-demanded path of three people who sang their own love
If it is not any literature, or our country, then we must understand the culture of the country first and we can understand it with our hearts. To understand the times on the road, we must understand Chinese culture in the 1980s. If we first understood that this was a time of wandering and the age of well-being of poets, which was a story in China in the 1980s, we would feel the emotions of the characters as they were. The heavenly Messenger, who was a literary major in college, happens to be
The streets of Napol, it was as if a butterfly had been torn away from the scene with a memory that had fallen. I was so caught up in the world when I heard the stories of the characters while I was listening to the twins of a story I had never seen before that I had read it, ’ I could only think it was a very beautiful world. It was a strange Chinese novel and it contained a lot of exotic cultural background, so I would worry a lot about what to do before reading it, but it was a moment of
The first time I saw a book written by a Chinese author, it was very exciting. Especially since this time, I think it's a work that comes with Mr. Park Sin, who is the best-selling writer who wrote his own epic novel, and he's probably a writer who becomes a leading Chinese hit-and-run writer. I thought, "I'm really excited about it.". Mrs. Jeanwin, the leading Chinese female writer, began a direct association with our country from the point that it was wrong to know Chinese writers through
