Yun Yeol-su: Folk painting tiger
Our people have been living in deep relationships with tigers from early times. He was the first to be born in a tiger's castle, grew up listening to tiger stories as he was young, and hoped to live and die and be buried in the High House of the Left-hand Dragon. The typical symbol of our people, the tiger, was the last time that Hodol was in the '88s, and the Winter Olympics were hosting a big feast with national fortunes, but there was no need for any professional book or exhibit on the tiger. The Korean tiger, the Chong Min-song Tiger, is the home of a nationalized tiger whose 100-cent cut has been examined and studied for a lifetime by a leading Korean tiger. The compassion of the cotton tiger, who had been a lifelong believer in it, is not hidden. It is a valuable result of freely storing tiger data from the individual. The tiger data boards were divided into five sections. The ‘Ain’ shows ethnic integers through the tiger rock, wall paintings, and paintings of legend across the country, from Stone Age to the North Sea. We look at and see the tiger in the religion that was next to us, the ‘Tiger in Religion Two ’ Buddhism, Taoism, Confucianism and even folklore. The ‘three-centered folk culture and the tiger’s skin, bones and charms, ’ through the use of tigers in folk culture, examine the perceptions of old people. The ‘ Four - Tube ’ tiger appeared in many forms and meanings, such as the tiger family, the magpie tiger. I admire the colorful appearance of majestic yet humorous tigers.
Korean title: 민화 호랑이
Korean author: 윤열수
Korean publisher: 가회박물관출판부
ISBN-13: 9791195438662
