Yoon Jeong-yong: Anglo-American dramas of power and desire

In Britain, several attempts to rebuild and revive the established drama have actually not had a significant effect in the post-World War II period. The new drama, or New 'Angry', of the British drama begins with the angry face of John Osborn. During this period, the decline of the British Empire, economic uncertainty, social tension, painful self-spection, began to cover dramatic topics that had been difficult to deal with. Various experimental attempts have been made on polar language. Poetry and prose have entered the polar language, resulting in a rich population of languages. As more writers became interested in minors and dramas, the form of the dramatic treatment of serious problems became increasingly standard dramatic. The most important change is the rise of non-British writers, especially black and female writers, since World War II. They created a variety of dramatic themes and styles in an original way. Two big flows through American theaters are realism and experimentalism. In the United States, where the European movement of realism began at the end of the 19th century, when it was possible to start a full-scale modern theater movement centered around O'Neil, we were going to experiment with experimental and other anti-thetical theaters before they got there. Fact and experimentalism were intersected by the mood of the time. Once realism has reached today, and then experimentalism has taken over, instigated and retributed.

Korean title: 권력과 욕망의 영미드라마

Korean author: 윤정용

Korean publisher: 경진출판

ISBN-13: 9788959969920