Rémy de Gourmont: Women of the Fallen Leaves

“No novel can ever be true in beauty other than poetry. The first novel was written as poetry. The early French novel was poems, as anyone knows. After a while, it was just a matter of turning to the prose to suit the lazy mind of many readers and interest of ignorant people. From these roots, fiction holds the possibility of a piece of work, and if he's involved in writing, he must find it on his own. Flover says that ‘the prose should be the rhythm of daily life, as if it were a history or a epic. ’. But when I think about it, I realize that Flobert can't write poetic prose, and that he is a little overstated with the idea that words and rhythms are the most important thing, so they can only be made of rhythm. There's no simple trick. If you can give a story a rhythm that will allow it to spread its short dance, it can be a poem. Because if you find the rhythm, everything can be well-directed. Because the idea can be a body of rhythm. It's the same as the thin thread or silke glee, which is why we are doing the knitting even though we rarely do the hard work. I think the yongt is a work that requires special status. I think it takes a little illusion to write it, that the author is happy. A bright afternoon is more appropriate. The feeling of happiness is like enjoying flowers and enjoying the eyes of lovely women and people. And you can observe people's movements with great interest.

Korean title: 낙엽의 여인들

Korean author: 레미 드 구르몽

Korean publisher: 문지사

ISBN-13: 9788983085870