Reviews
I don't know anything about folk. It's a book that was accidentally delivered, but it's also a sign. The more you look, the closer you feel. I'd be happy to see them, and to remember their happy life. Min-min is. When you look at the paintings, you want to see the painters who wish for the health of their families and their children, friends and village well. And the desire to paint. It's not a painting of the sundry, elegant, and sort of under the laws of things, but of the folk who would have
Park Young-taek: The taste of folk painting
80 points of work, re-simulating the Republic of China. A contemporary modern Korean artist who has been a show critic and a critic of modern art, Park Young-chong, is able to see all the poetic charms with 80 folk paintings, much like he did with modern art. looking at the portraits that have long been discussed around the symbolic system as a narrative, it is a book that has a very famous character on them. The folk painting that you taste in this book is not a colorful palace quantification but a simple folkization. The terms for the distinction of folk art are different from those of researchers, but often it is called the formalized and strict and colorful folkization of the edification of the artist who drew it (.) and the re-synthesized while free to do so. The author focuses on the poetic and morphological nature of Mint's folkization in this book, and his keen eye, which is a very old man's heart, is both analytical and not dry and still. The mind of the unnamed painters in a manner that is expressed in a fine and colored way, the eye of the author who reads it in a chord of wonder and color, enhances the flow of the ball and makes the taste of the folk.
Korean title: 민화의 맛
Korean author: 박영택
Korean publisher: 아트북스
ISBN-13: 9788961963510
Reviews
I don't know anything about folk. It's a book that was accidentally delivered, but it's also a sign. The more you look, the closer you feel. I'd be happy to see them, and to remember their happy life. Min-min is. When you look at the paintings, you want to see the painters who wish for the health of their families and their children, friends and village well. And the desire to paint. It's not a painting of the sundry, elegant, and sort of under the laws of things, but of the folk who would have
