Noriko Takanezawa: Yoko Ogawa's Literary World

The Ogawa Yokos are not dynamic. Because all the paintings show people who want to live without being seen by their neighbors, hoping that things will not happen in a limited space. Most of the space in the work is where certain activities, such as hospitals, museums and libraries, are performed with a specific purpose and require silence. Also, characters are like lifeless weapons that repeatedly reveal a desire to be trapped in past memories. The ceremony, which the Doctor loved, was praised for keeping the author's literary world open to new horizons in the breadth and depth of content. But most of the work, space and characters still exist in that place. As the writer himself has revealed, it is only when the background of the novel is set that the story moves forward and the characters begin to live as long as they can in that sealed place. Not many people are close to the innocent hero. And the story begins with him either trying to leave or missing. There's hardly anything that can be called a case. There is only a deep concern about what has happened or what will happen. And yet, the reason we're attracted to the Ogawa sentence is because we see ourselves in its description. In a society that is increasingly diverse and complex, it is a rather rare thing to be considered a mere part of the body if the individual is not very prominent. If you don't get to be the lead, you're likely to be a little bit of a stickler.

Korean title: 오가와 요코의 문학 세계

Korean author: 다카네자와 노리코

Korean publisher: 제이앤씨

ISBN-13: 9791159171581