Moon Byeong-ho et al.: Movies with Benjamin and Adorno

"The history of the film has not developed in the way that it awakens the public, as Benjamin hopes. Rather, it was reduced to a means of public manipulation, mass deception, as Adono had perceived. But even if commercial and recreational films dominate the movie world, artistic ability in the hands of a few cannot be ignored. The book, as a major text of movie interpretations, has been used in Benyamin's Artwork of the Cultural Clothed of the Arts and Cosmetics, and in his German Austradic Origins, Fate and Nature, and also in the Adono's aesthetics, the Historical Philosophy, and the social theory, to try to explain new and experimental films. Schpenhauer said: “Art is the re-existing of the world.". But it is a world in which Benjamin suffers from the world as he describes it in the origin of German non-democracy. The world's progress was far removed from redemption and reconciliation, as Adono describes it in "the sad science" at Smaniima Moraliang. World history is the history of the blood, tears, pain and death of many who live their lives in fragments by the ruling powers while forced to do free labor. The movie that I see with JSAW, Parks, Koreans, Chinese, and Young-goo are the best film media.

Korean title: 벤야민-아도르노와 함께 보는 영화

Korean author: 문병호 외

Korean publisher: 갈무리

ISBN-13: 9788961953375