Marlene Haushofer: wall

What was amazing about Szeng-mung is that it wasn't exactly the same as the clicks of the genre we know. There was no reverse event or dramatic development in the thriller, and even though it started with SF, we soon found ourselves in a state of peace and security that seemed to read ecological fiction. Austrian writer Marber Hapfffer, 1920. 1970 is a modern - modern - feminine writer in Germany, Austria, with Ingebork Bachman. This 1963 novel, which was published near the publication of mercy, won the Artouer Schnitzler and held a little bit of popularity. Since the first release of the 1960s, it has reached its peak in the second world power in the 1980s, and it's been rank in the most widely sold books in Germany and Europe, and since the 2000s it was produced in a film that followed radio and theater. And in the meantime, this world has been through a lot. There's a lot of speculation about womanhood, and it's even a stranger to the basic rights of animals that were just conquered. A critical awareness of consumerism or nuclear war has come with the era of shared civil relations. But still, political and existenceal alienation, and in the face of new infections that have come recently, we are struggling with a sense of root helplessness, and we long for solidarity and separation at the same time.

Korean title: 벽

Korean author: 마를렌 하우스호퍼

Korean publisher: 고트

ISBN-13: 9791189519209