Lee Ki-woong et al.: Popular Culture and Cultural Industry
Since the 1990s, it has been designed to look at the cultural industry, which is firmly established as a national policy industry, from a social standpoint, and to add theoretical depth. Meanwhile, the cultural industry has been very interested in such fields as business and policy, along with the advent of the same species, but a social approach is extremely rare. As in the past, when popular culture was subjected to fierce resistance and gradually gained social recognition in the environment of all sorts of oppression and discrimination, until it rose to a dominant culture today, the cultural industry also began with a critical argument that it is impossible to share with a culture that is a noble and highly educated human act, a culture which is a basely profitable one. Cultural Socialism sees the cultural industry as ‘a profit-making industry by making some of the public goods that we do everyday in our communities.’. That is, we need to look at the aspects of culture's productification and its irreconcilability, its unclutterable nature and its relationship to context and access to the cultural industry. Is the culture industry the means by which culture is made into industry, or the creative way by which we're combining culture and industry? It will help us to understand the culture and the culture by lighting the cultural industry in many ways.
Korean title: 대중문화와 문화산업
Korean author: 이기웅 외
Korean publisher: 한울아카데미
ISBN-13: 9788946074736












