Lee Hyun-jung: The Aesthetics of Formation and Transmission of Classical Poetry

Part 1 dealt with ancient cigars and several different flavors. There are certain limits to exploring ancient cities, of course. The only complete work of tradition is the slang, the wan-ha-ha, the sho-ho-geung. But the results of three studies are in hundreds of cases. Literature. History. Musicals. So there is a myth that new discussions are difficult to come by and that there can be no more delays in research. But it's all the same. The possibility of a new view of ancient poetry has not been closed. So, in this article, we started by re-imagineing two common myths: ancient poetry and perfumes. It is the fact that ancient and perfumes have been in a special form since before the writing settlement, in which the combination of the tradition books and the traditional poems has been established, and the idea that the canons are constantly being discussed in the broad arts, ancient poetry, folk incense, and private minds. From this, he overcame the monotonous and monotonous gaze of ancient poetry and tried to see the poem as a little bit of personal image. Part 2 saw the relationship between several works and the private religion. In the meantime, ancient poetry and incense formed several works, and the religious and ideological elements of tradition focused on magic and significance, and gathered traces of traditional faith, and in many cases, a traditional, folkistic approach, not to the folk approach, but to the Buddhist point of view. There are quite a few discussions about the link between theism and theism, which is largely about the tri-state similarities, the story of the Third World frauds, or the narratives, while there are few attempts to light these with the cigars.

Korean title: 고전시가 형성·전승의 미학

Korean author: 이현정

Korean publisher: 보고사

ISBN-13: 9791165874797