Lee Gyu-gyeong: The Painter's Flower (by Lee Gyu-gyeong)
The standard's main indicator is the dictating of the universal message of Medapoo, human history, which was not a simple material called flowers and fruits. He not only staggers methodology, such as screen composition and coloring object, but also continues to re-set the idea of spoken language, the idea that the work is made and the production process. The production of bold objects, the transformation of visual perceptions in the eyes of cameras, the introduction of virtual images with the New Media and the subtle combination of images from pure materials and the photograph of the character quoted in art history.... The canon's paintings contain the key words of the era's critics. I'd rather be called the 'God pure art' of Lee Kyung-yung'. Recently, the general is trying to make another clean. The medium-symbolized mirror image of the faint monoton silhouettes in the background of the flower is intended to take the image of human bliss, ego, and righteousness from the medium. So, together, we are solving this amazing emotion of the medium. The scope and method of the quote that will unfold is a self-same. By the way, the new art of the country's prime minister is entering the art of floria and human boroughs. (MIMGIRE CHEERING IN CREAM, CHOICE).
Korean title: 화가의 꽃(이규경 편)
Korean author: 이규경
Korean publisher: 벤포스타
ISBN-13: 9791190841306
