Lee Gyu-cheol et al.: Meotjilbi Lee Gyu-cheol

This is a review of the Iron Record in Seoul in May of 1994, late in 2004. This was the first time that the family and the people had cherished masterpieces, and it was the very first time he and his closest disciple shareholders were gathered together. The keeper and the eye-viewing team are both photographic and book design, and the critic Park Young-chong is a great editor in the display. Igu-Yin-1994 was a search for the point of contact between sculpture and photography in South Korea in the late 1980s. He went to Hongk University in 1970 and studied sculptures, but the first personal war in 1988? Space and the earth's crust? (Translator Museum, 1988) It led to a full-scale work activity. The plan of the regular Young-young? Kim Jong-bae, you strong, Iguol-Suk-soon? (Clerry 81-10, 1988) The original window's planning? Photos, sassy? (Waker Hill Museum, 1988) As we continued our campaign, including the traditional domestic photography of language and other new photos, we were killed in a 1994 traffic accident. Even during the short six years of activity, this period of philosophical and independent art will be a source of all of us to visualize our own lives and imaginations. This was a process that led to the breaking down of the border between sculpture and photography, as it walked between three bodies and flats. He would have the wrong imagination of "entering into the hollow of his work and looking inside" in the mathematics of the University of Hong Kong. This led to a process of rotating the space around 360 degrees, 180 degrees, and re-integrating the image of flat images in a semicircular, sphere or box that was attached to the surface of the piece.

Korean title: 멋질비 이규철

Korean author: 이규철 외

Korean publisher: 안그라픽스

ISBN-13: 9788970590899