Kim Nam-hee: A boisterous hanging Buddhist painting

The book presents to the public a composite of the type of painting that is new to the world, the features of the age and region, the processes of consciousness and the historical flow, and the artistic significance. The book also played the role of a man to help preserve the whole form of ugliness that was constantly developed from the 17th to the 20th century. Of the 120 points in the existing ugliness, 80 are made, and in the order in which the work was created, one can compare the ‘Victim’ with the 'Possil'. The tang-tangs you can meet with books are large, so they are not easy to find, and it is not convenient to carry them with you, even if they are available. This book is the Korean quarter of Korea. (2007, Vol. 40) It's a long line of rickety-sized tungs. The main content deals with the background and composition of pectorets in chapter one, the name and meaning of the tung, the composition and ritual holy book. Chapter two takes a look at Buddhist rituals and ceremonies and introduces a spiritist as a form of misbehavior. Three of them include the painting and character of a croak, the transformation of a fireball, and four of them give detailed light to the style and character that are made locally. In chapter five, we focus on the typification of the quays and briefly on the link between modern art and modern art. Finally, the conjugal mentions the Chrymousa Tupil, which is now only a tablet. The birth and the birth of a tang-tang, the icon, is a huge conflict in the field, used by rituals.

Korean title: 야단법석 괘불탱화

Korean author: 김남희

Korean publisher: 계명대학교출판부

ISBN-13: 9791165160531