Kim Mi-kyung: The Painter's Flower (Kim Mi-kyung Edition)

The writer laid a square canvas on the floor. It's a moment of synchronization between the normal living space and the picture space. The moment the eye goes down from the top down. The laws of frontality have been nullified and the system of one-point vision has disappeared, and the horizontal view looks at the screen without any favoritism. The canvas is lying on the ground, ready to take everything. It opened itself. The writer pours a paint on the screen (which is heavy in itself and so is hard on the display). The lure of the habit of painting, which was a smudge in the hands without using the brush and therefore without the direct taste of the hand, and all art history, has disappeared for a while. No, I forgot. The act of pouring in the paint on the screen is based on nothing, nothing. Instead of doing anything, it's a dramatic representation of a situation and a visualizing of the causation and relationship of physical laws. Everything is real in cause and effect. The individual time alone is meaningless. The material is the bond that enters and flows into new relationships, and it's given the law of gravity and changes in the rule of time. Wind and air. Temperature and humidity are quietly involved. Here, the author is artificially involved, shaking the water and moving it in a direction, and finding some form of shape and effect. The process of rotating the canvas, tuned the slope, is to make a trail of different directions as the flow and spread. In the process of demeaning the sense of the idea of going out of the box, the paint is in the writer's body. You live and breathe in consciousness.

Korean title: 화가의 꽃(김미경 편)

Korean author: 김미경

Korean publisher: 벤포스타

ISBN-13: 9791190841122