Kim Kyu-jin: Haegang Nanbo

F.S.F. 1933) A book with a drawing of the Nan and the text. Kim Kyu-jin gained great prestige and, through his book study, exerted great influence on modern print. He early sought to find various kinds of painters and court paintings, and was interested in photography and writing, but was not considered to have lived his life as a warlord until the mid-1930s. I have seen the awesome display of the Qing-Suk-suk and the reek-tip of Japan's Imperial Court in '19, '97, as a reeking art of the original silent artist, and as a result of this transition. Since then, various attempts on materials and tools have been able to provide a representative of the massive, seriesal, ferocity-like wind that describes the different kinds of atrocity and death in each width. The other part of the story is a review of the script of the river Tsalboabók, which identified the existence of the first two manuscripts of '1997, the first version of 1918. The 1918 script, which has been used to either not knowing the existence itself or only using the re-invention, is a concept of the nature of the Kim Choong Chiong Sung artist, making sure that it was an example of something very different from the early year '1916.

Korean title: 해강난보

Korean author: 김규진

Korean publisher: 한국학자료원

ISBN-13: 9791190145091