Kim Jae-yeol: White porcelain Buncheong ware 2

The book is a 'dogic' of the shipship. In the history of the Chosun dynasty, in the fifth century of pottery, he had taken his own piece of art with its own significance and self-imposedness. So it is the purpose of this book to project the fate and transformation of pottery, which has been accompanied by the history of the landscape. Although beauty standards are subject to change at different times, this change in the sense of beauty is abstractly weakened in pottery. The ship-elected pottery was designed for the writing of the ship-selected people. So there's a sense of the care of the shipmen. That's why we can see the form and style of pottery and perceive the characteristics of the sculptures and the paintings of the day. Free and Confucian, as a symbol of culture, the White Cutter fraud appeared at the beginning of the Korean era with a loose consideration of power control, forming a circle of Korean beauty with a variety of free and secure beauty. The white population grew up to the Confucian idea of a shipship, but at first it also showed the double image of a serious legacy: a misconstruement and power struggle. But as the spread of Confucianism and the rapid growth of the emerging dynasty of political stability, we see a wave of beauty reflected in many ideas and aesthetic rites. The most remarkable feature of the book is the excellent interpretation of author's shipman, who is vice president of the Homam Museum. The author's interpretation of the era of the ancient grandfather who captured the freedoms that were taken out of the fraud and venerated the black and the black in the white will cause readers to be drawn into the writing of the peoples of the old.

Korean title: 백자 분청사기 2

Korean author: 김재열

Korean publisher: 예경

ISBN-13: 9788970841403