Kim Gwang-woo: Van Gogh and Gauguin

A spirit of water and fire, Paul Gauguin and Vincent van Gogh are remembered as a pair. They worked together, they hated each other while arguing about the painting, and there was a deep resentment in the attitude of the rice-sized Gogh who could not get his earbrows cut. But the biggest reason why two people should be put together is that they can be cut off from the tradition and entered modern times. The two people's personalities are opposite temperaments like water and fire. Gauguin, a more familiar man than Gogh, was an invasive, cynical, spiteful man. Gogh had a rough side of northern Europe, but he was a hard-bodied man, a fire that gave his colleagues a passionate affection, and he could be killed for friendship, but was very withdrawn, and was very introverted. The dead and the sick of the liver, the lonely death of great artists. When epilepsy appeared, she heard a strange noise and said the video was coming up in front of her. Flover said: "Pearl is the result of a bottle of Joe's, style is the product of great pain" and it fits Koh's words. He saw the space when he was seizing, and it appeared in yellow in his work. Yellow is the color Gogh likes to use, and if you know what yellow means, you can easily understand his spoken language. The main use of yellow in his paintings in December 1888 and early next year before the seizure was remarkable, even before he was isolated from the hospital. Gogh was isolated in a nursing home for a year and, with the ill going on, he went to Auber, a suburb of Paris.

Korean title: 고흐와 고갱

Korean author: 김광우

Korean publisher: 미술문화

ISBN-13: 9791185954455