Jo Hae-ok: A Study on the Modernity of Yi Sang's Poetry

The author dealt with a more poetic ceremony under the physical setting as the basis for forming an inner body. The body, no longer considered to be a subject of ideology, but recognized as being solid, becomes an objective quest to observe its existence. The above reveals the illusion of a notion by discovering in the body self-immolational forces that are not controlled by the will. The body that is cut and destroyed at the same time shows the alienation of poetic self. The destruction of the body, which cannot be controlled by the will of the poetic self in more than one poem, is closely related to the physical condition of life. This kind of bodily consciousness fuses with real physical space. This proves a close relationship between the body and the world it organizes. The diseased flesh of the poetic self is the basis for seeing through the nature of the phenomenon. The body of life-saving becomes the basis for a keen awareness of the sick space of longitude in the 1930s. In more poetry, the diseased flesh and the diseases of the city combine to create the physical space and the physicalization of the space. The daily routine of suppressing and impotence self in more than one poem is a routine life of clock time. One of the reasons why this has come to recognize the flow of time as a strictly consuming concept is the modern condition of life, forced to adapt in the clock-time order. The other is the condition of a sick body. The gradually breaking down of the body, symbolized by each blood, is a sign of the wear of time. In more than the time, the body acts as a basis for self-consciousness, which combines with space. He did not want to know about the poet ideal.

Korean title: 이상 시의 근대성 연구

Korean author: 조해옥

Korean publisher: 소명출판

ISBN-13: 9791159058264