Jeong Mi-kyung: Mom. Mother. Woman

The book reviews the trend and nature of the mother's epic in movies during the post-feminist era. So we want to see in movies about how mother-in-the-face myths are claimed today, and attempts to disband them, what they look like, what mothers are drawn to, and what women's awareness and role as individuals are in conflict with their mothers. This will ultimately be a statement in the post-feminist era that will look at the humanities as the way of the coexistence of women's self-resistance and motherhood. The original text of the book, as it is called, consists of three large portions of the film. The'mother,''mother' and 'woman' are the ones, but first, in "Mammy" chapter two, the time to wait for you and the time for you to compare the time of the pecpietat and the period of the night to the time when you will be able to see each other. Chapter 3 is about maternal instinct and mother mythology. An attempt to break down the mother instinct on the subject of mother-mother mythology is an analysis of Wander and Nami, about the violence that mother-in-law inflicts on individuals, about Chembeen and about the mother-of-the-mother melo-dulmy drama that re-servates the mother's myth. Four chapters, called Women, ask what might be the case with an unspoken mother. If you look at it at a big scale, you can suggest a new mother in two ways.

Korean title: 엄마. 어미. 여성

Korean author: 정미경

Korean publisher: 역락

ISBN-13: 9791167426239