Jeong Hoon: Post-Postmodern Photographic Landscape

Digital photography no longer speaks the final truth, but the way it's been working to link external problems has become a very different image. And the meaning of the picture is not in a frame, but in a region between the body. Now photos are circulating and distributed inside a multi-talled and complex digital network that cannot divide photo transmitters and recipients, such as the S.S.S. The book is looking at the changes and patterns of these pictures, which have been brought in digital photographs since the 21st century, through the work of photographers both domestic and international. Texts such as the wars, the periphery of daily life, menstruation and memory that are marked by the title of each chapter are not the subject of exclusive photography, but are a key area where the everyday and the photograph are mutually re-invented and meaningful. The result of the dynamic change in photographs that are being developed in a technological environment where time and space are missing, and the result of how to promote reader perception and understanding of everyday life that can be detected fully through the text. In this sense, the book's text is basically a criticism of photography work but also has a double property of practical theory that conceptualizes photography. The photoscapes it directs are a picture of what is happening in a series of photos that deal with everyday life since 2000. Since Postmoden, the influence of post-modemism has been included in the relationship between post-moden and the daily life of today and in a series of photomaking.

Korean title: 포스트모던 이후의 사진풍경

Korean author: 정훈

Korean publisher: 눈빛

ISBN-13: 9788974091491