Reviews
Cultural circular material is useful in establishing its own identity in cultural content. It combined with animation to overcome the limitations of the animation media and to provide enough utility to match the public. The book outlines a general concept of cultural origins and then looks at how the cultural prototypes are accepted and applied in animations in Korean animation. The author says that a good intermediatic relationship can be formed that can strengthen creative ground-based
This is a well-organized, unified theory that can go through the concept of animation and interaction as cultural circles and content, and it's a useful teaching manual for modern people living in the time of the consumption of digital media content as well as professional content creators.
The content is so well organized that it is easy to see how animation and cultural circles are grafted, and the animation beginner seems not to be bothered by reading and majoring in writing. I read it with fun.
Im Yong-seop: Animation viewed through cultural archetypes
Korean animation needs to preserve its identity first by saving its cultural features and then by focusing on the code produced in combination with the cultural originals. This code will be the clue to Korea's animation identity. To find these clues, it is important to look at the existing Korean animations. However, the finished animation is a difficult way to analyze the properties and role of the original medium because the power or the type that is dissolved in it is already a result of the transformation of media into the animation. So to identify the identity of Korean culture and also to identify Korean animation, we need to analyze the media connections before conversion. The book explores the identity of Korean animation by sorting out its cultural origins and types of application and by looking at the work that gives it its own character.
Korean title: 문화원형으로 본 애니메이션
Korean author: 임용섭
Korean publisher: 커뮤니케이션북스
ISBN-13: 9791128810664
Reviews
Cultural circular material is useful in establishing its own identity in cultural content. It combined with animation to overcome the limitations of the animation media and to provide enough utility to match the public. The book outlines a general concept of cultural origins and then looks at how the cultural prototypes are accepted and applied in animations in Korean animation. The author says that a good intermediatic relationship can be formed that can strengthen creative ground-based
This is a well-organized, unified theory that can go through the concept of animation and interaction as cultural circles and content, and it's a useful teaching manual for modern people living in the time of the consumption of digital media content as well as professional content creators.
The content is so well organized that it is easy to see how animation and cultural circles are grafted, and the animation beginner seems not to be bothered by reading and majoring in writing. I read it with fun.
