Reviews
The first two episodes are a bit of a mystery to the writer's experience and his sense of cultural reciprocity. The search for connections to works of art that can be found in a writer's personal experience, rather than in the common interpretation of the experts in art, is quite fitting in the taste of the answer to the title of the book. But the next step is to start a little bit of an introduction to what's already established by the early scholars. So you say, well, this part is a little
A book that changes the image of the word "responsive.". It's a way of showing your evaluation of places and artifacts through the cross-section.
Hong Ji-seok: The joy of field trips!
It's like a taste of hot water! The author, Hongjimsuk, is named for being the owner of a special eyelid that goes in the art and art history and finds the way others have not been able to see. So his experience of re-reporting our cultural heritage comes as a fresh shock that we have never experienced before. The author's writing goes far beyond art history, aesthetics, art criticism and literature, and gives a three-dimensional light to show the truest of humanities. It starts out with a light and it's fun, but it'll be a very big art display. For example, the story of the lucky shot, well known as the sky-fire tower, is a series of hundreds of hand-held shots from which we've been able to get one. Many stories of luck shots are tied together in his hand, starting with the sculptor Hilde Brandt and the Korean artist, the folk artist, and the oligarine mountain. This is his capacity to be a virtue that flows across the entire pages of this book. And when you read each of these articles, you're caught up in a sense of fullness, as if you were having all the knowledge of it.
Korean title: 답사의 맛!
Korean author: 홍지석
Korean publisher: 모요사
ISBN-13: 9788997066346
Reviews
The first two episodes are a bit of a mystery to the writer's experience and his sense of cultural reciprocity. The search for connections to works of art that can be found in a writer's personal experience, rather than in the common interpretation of the experts in art, is quite fitting in the taste of the answer to the title of the book. But the next step is to start a little bit of an introduction to what's already established by the early scholars. So you say, well, this part is a little
A book that changes the image of the word "responsive.". It's a way of showing your evaluation of places and artifacts through the cross-section.
