Hong Chang-su: History of Modern Korean Comedy

The Great Drama's monogamous seconds were performed with a new wave of music as a ‘Ussium street, ’ or laughing performance, by the Innovator Group in May of 1971. And from the mid-1930s, the name 'white drama' began to be used, and the existence of the greater and higher performances began to rise as we passed through the 1920s and 1930s. Unfortunately, however, such planning and will did not last long. The increased demand for popular entertainment, the greater-focused performance planning and operating system, the creation and acquisition of writers and professional actors to create and perform, and the will of the entertainment industry as a popular performance commodity, but the desire of the performances was long and short, due to many negative factors. The whole series of monochromatics has made it difficult to expect the activity of study in the far-rights. And one of the most active in Japanese bookings is the popular entertainment played by pop stars, which has left a large number of popular dramas on paper and data, and it's been difficult not to do so. The book is divided into two large sections. The first one was to sort of put together the concepts and theories of the drama. The old history of theater has produced meaningful discussions of the drama since Aristotle's visit to the Great Drama, but in domesticly it was a weak one. In the case of the country, there are discussions about dramas, not really about drama, but in the course of the literature theory, and we've discussed them with Western theories. The second saw the historical context and flow of the modern Korean drama. We looked at the context, character and meaning of the drama from the beginning of the modern turnout in the postwar years of the 1930s to the 1940s.

Korean title: 한국 근대 희극의 역사

Korean author: 홍창수

Korean publisher: 고려대학교출판문화원

ISBN-13: 9788976419613