Han Seung-tae: #Anima

A student at the Museum of Animations, 1992. Kang-Ill-Ibo, New spring eschatology, 2002 modern literature, the first prose of a poet who won the impression and started his work. The key to the "Missis in poetry and Animation" is a key character #animayan. Poet captured the close relationship between poetry and animation that had not been seen in the past year and year, and was born in a town of the poet. With the original manuscript, three parts of the robot’s history have been added to the character analysis in animation through the ‘intuitive ’ approach. The poet is a kind commentator who explores the meaning and the possible margins of the animation in this book. Even untapped work, if you follow the context of the poet's description and the gins, can be accessible without difficulty. Part 1 sees several works in the theme 'Mimsis in poetry and Animation.'. The animations related to the Lenku of Matsuo Bashau, as well as the 'creature moments' in the animation of Michael Duddoc de Bitt, and so on. Also, in Part 2 there is a lot of work that everyone has ever heard about on the subject of the ‘Imaginable Future’. The art is not only elaborate comments about the work, but also more interesting to learn the meaning and facts it left behind. Part 3 "Thone Is the Imagination" explains the robot more easily understood since its history, through its generation distinction in animation.

Korean title: #아니마(#anima)

Korean author: 한승태

Korean publisher: 다이얼로그

ISBN-13: 9791158964108