I have quit my church a few years ago and have become so aware of the futility and futility of religion that I am now not joining any kind of religious color, especially Christian totalitarianism and uniformization. The 'Smurder of the Light of Dante' by Italian author Julius Leone is a work that was presented in the category of the once popular Pact, which set up the real writer Dante like Sherlock Holmes. The work seems to be largely dull to the pleasure of solving events that can be enjoyed

Dante's Killer of Light is something I should read naturally if I enjoyed the way Dante'd mosaic killings are. In this work, Dante also served as a light-up of the truth in the Middle Ages. The author of this book, Julius Leonio, is now a typical Italian history novelist. News of galleys stranded on the Arno River in Italy is sent to Dante, who's a member of the board of administrators. What was found inside was all the breathing crew and broken machinery parts that we didn't know what was

-- and I read the word Dante in my curiosity because it was a reasoning novel, but I could see too much of the medieval background with the Italian frense as a rather technical term and the contemporary background of the pope before the emperor. It was difficult to expect and did not read so fast. But the beauty of the theory is a book that I read to the end because it was in reverse. Dante, who is in the seat of the executive board, welcomes the galleys of the Molnian crew in the summer of

Human beings like Jorge in the name of roses are no less visible in this novel. The reason for the translation, such as the mosaic killings we read about, or even the uncertainty of the text. The urgency of trying to tell too much in a short time, perhaps in terms of causing conflict and deepening, has caused me to take a break when reading. When religion and politics were involved, and we didn't know which was true, we were robbed of people like the Mudcastle, thinking that we would be happy,

The killing of Dante's Light, as we know it, begins with the mind of a writer's outstanding talent to question the interest, the fun and what will develop into the story of the "Date" character. The latest article, The Dante Mosaic Murder, has not yet been seen, and so it is even more so. I'll read it. The genre "Lie" is a film that has never been read, so it opens the first page with another fun, tension and thrill. I was a little strange, but as soon as I opened the first chapter, it was one

Dante's Murder of Light. The title of the book also began with a simple task of changing the reading habits that seemed to be on hand and that were biased. I had never read a mosaic murder and so was a little curious about whether I could understand it. Books began with horrible murders on ships, creating a smoky atmosphere, and succeeded in stimulating my curiosity. Words that were unfamiliar, many characters and difficult names, took a long time to read the first part of the book, but later

I've never been in a book. I've never tried to do so before, and have the opportunity to get in touch with this book at a rented cafe. After the book arrived, I read it down from the first page. I read it slowly, just so I could miss a text. It was not a book to be seen. I was the first genre I ever met, so I had to read the cognitive portions over and over again. Hot summer, Italian Florence. Dante, along with his defenders, finds a ship protecting a terrible statue. Dante, headed for the

The Death of Dante's Light -- Julius Leonio, everyone was very comfortable with the thickness of this book. I think it's a book that you won't understand unless you really have a background as deep as the thickness of the world. The Holy Roman Empire, which I've been told is really 30 seconds in world history, the Holy Roman Emperor, and Frederick II is even stranger to it, and he really is, who? The background of the question-and-question character is that the main character of the novel is

The second piece of Julius Leonio, which has made a great character in the great crash of the divine light, Dante Aligiri, suggests a very typical contest. A series of dual confrontations, including the pope and emperor, the power of religion and secular rights, the blind and the rational, the doctrine of predestination and free will, are brought in by symbolic figures and cases. These are the two-sided pairs that explain the mental state of medieval Europe and that are also the prototypes of