Françoise Sagan: I will not deny anything.

The fate of self- expression is one of the authors' ironys. Surprisingly, fiction often succeeds in keeping chains in life. Our attitude is a bad way to connect characters and writers in a work, but not with feelings about other artists. The author created existence, but failed to transcend it. The 2004 obituary of the death of the Francis River was filled with this failure story. She became a poor woman, a tragic figure contaminated by scandals and alcoholism. The first book she published at the age of 19 (hi, grief) was devalued and dismissed on top of the very strict critics ’ horses. The commercial success of this book was the result of the undiscovered authenticity of literature. The appeal of journalists who wrote the story was the pleasure-making attitude of the dead. Because her fate began right here. In a sense, the Francis River was never over from the young heroine of The Book of grief. The fatal auto accident in the work is a conglomerate, and it was actually a serious car accident that broke down the last three years after the book was published. The journalists who were hoping that the writer would die like a character in a debut were left in despair. She really doesn't deny anything at the time she just published her first novel, "Good Bye, Sorrow", which was a lot of interviews she had between 1954 and 1992. And through this interview we can understand the vividly alive Francis River behind the work.

Korean title: 아무것도 부인하지 않겠습니다

Korean author: 프랑수아즈 사강

Korean publisher: 마르코폴로

ISBN-13: 9791197618260