Cho Young-bok: The Mirror of Modern Korean Poetry and ‘Iron Media’

Current critical theory, modern discourses, constantly intervene in modern literature text through an alibi called ‘interpretory Geographic.’. The same is true of the wording and the intervention of poetic language, including metaphors, monks and others. Moreover, poetical speech, grammar, constantly trying to get away from it in prose or discourse, and man is trying to bring it back into the context of prose or narrative. The modern ‘ dawning ’ poem asks how it came about. The new 75 trillion, 65 trillion rhythms may have come from the influence of Japanese physical vision, or Western military and hymns. While the modern ‘ Origin ’ problem is always being held back from the boundaries of ‘ Tradition’ and ‘ Transplant, ’ the problem of gonorrhea is clearly still being searched for in cancer. But can we discuss this matter without the languid nature of language? The idea that a portrait could imitate but not a poem was the perspective of the first-time citykeepers. The book, on the one hand, deals with the change in the poetic style and reality of 'Tymdial Age,' arguing that modern poetry is from 'ir.'. In The Long Railway, the power of the 'Straight Railway' is a source of specific and clear rhythms. The rhythm is the content and the form of everyday life changes and innovations. The enlightenment of the window is also a kind of social media rhythm. As ‘logize’ and ‘fatzenick’, the iron media intervenes in poetry and then re-inventes the body’s changed rhythm.

Korean title: 한국 근대시와 ‘철미디어’의 거울

Korean author: 조영복

Korean publisher: 한국문화사

ISBN-13: 9791169191173