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Boris von Brauchitsch: Gabriele Münter

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Description

At the low point of impressionism and the beginning of a new era, German women's art leading the birth of modern art illuminates Gabrielle Münter's life and his world of work. The Münter created a world of private and exclusive ideas, not swept away by the great flow of modern art called abstracts. Why did it take so long to recognize this quality of the book as an artist? Gabriele Müntr lived in a time when women artists were called ‘women’ and looked down upon as ‘born amateurs.’. The art history has still described the meeting with Kandinski as a major event, only partly because of the influence of Candinsky. It was not until the 1950s, when she was in her 70s, that she began to get attention and seemed to be able to switch. But this reduces the quality of the program to a neighborhood of the German expressionist group 'Kindinsky'. The book unwinds these misconceptions and negative evaluations around Gabriele Müntr and focuses on her independent life. She was silent in the face of the times and human limitations, but without hesitation she experimented freely with her own methods. In particular, when Münter was a student of Kandinski, he had the talent to outdo him in the grave, in the photographs and in the paintings. The works of the Münter in this book can be seen in the eye of recognition, a sense of humor, and a love of everyday objects and landscapes. The book re-evaluates the impact Gabriele Münter had on later art, thus providing her a place she should be in the art business.

Korean title: 가브리엘레 뮌터

Korean author: 보리스 폰 브라우히취

Korean publisher: 풍월당

ISBN-13: 9791189346355

Reviews

5.0
Based on 5 reviews
Showing 2 of 5 reviews
JA********
July 7, 2026

I'm glad I know more about the work and the life of the writer I was wondering about.

PM******
September 18, 2023

# Gabrielentuster #Vorris von Brahesche, long ago, was a scene of paintings from the Fabre Party that I loved. Gabriele Münter drew "The Woman Who Writes in a Mothcha.". This image made me feel very comfortable, even though I felt a little lost. The image was marked by the electric ‘Gabree Münter’. He was a student and lover of Kandinsky, and he had spent so much time marrying another woman that he broke up, and yet he secretly hid his work with Kandinski, who was a retired artist under the

보리스 폰 브라우히취: 가브리엘레 뮌터
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