Ahn Gyeong-jin: The weight of whitespace

The weight of the shard of the glass was published in revised form. like the sub-aggression of light and darkness, between existence and non-existence, the deeper consideration and philosophy of sculptors about work and creativity. The ‘ shadow piece ’ was also shown, as was the more of the sculptor’s paintings. The weight of the bag is divided into 1 and 2 chapters - light and darkness, between existence and non-existent. Chapter 1 is an essay where people who are engaged in art look deeply into their lives and their work, and chapter 2 is a series of works by a egretist's various pictures and his own manual. The weight of the white woman - light and darkness, matter and matter that are between existence and non-existent, existence and absence — is a worldview with the sculptor's idea of how to distinguish between being and being. In a modern society that is visible and is obsessed with money-repaired values, how does art affect us? What is art, and what should artists be? What is the significance of hand-woven sculptures in the 21st century, when high-tech and virtual reality are on the horizon? In the search for answers to our own, sculptures will light up the inner world of the spectacles.

Korean title: 여백의 무게

Korean author: 안경진

Korean publisher: 에테르

ISBN-13: 9791190093231