A editing center: Chinese character design

“Design is an expression. A great 17th-century epic epic, Kim Jin-sun, with his own omnipotent oscillator, and a unique self-aware world along the way he's been weaving his own ed. This book shows you the shape of a 38-dimensional electron. Kim Jin-hee, a brilliant 17th-century epic, was formed to identify the world of unique Jae-sins by weaving together the entire veld of Kim Du-young. Chinese characters are the letters designed from the beginning. The telegraph is a letter of the character that was written in a way that was not only a type of letter but also an illusory text of art. The 17th-century epic, Kim Jin-Hung's Long School, was written in part in 38 different forms. Here we have one species of hydroponics. The Ching-Song-song-Sung-soo was a full-blown essayist. If the first human script is a hieroglyphic, it developed and was re-created as today's Chinese characters. But the electron is a modified character, and if the capital is the first generation character, then the second generation character is the third generation character. Chinese characters have many advantages to organize space. And even though it was made about 3,000 years ago, still, need is creating another character. This character has a profound impact on all of the features of the landscape of Western art. If the Roman alphabet is on the line and on the surface of simple behavior thinking, the Oriental character is beyond the limits of a finite line.

Korean title: 한자디자인

Korean author: 한 편집센터

Korean publisher: 범우

ISBN-13: 9788963653686